Books Forgotten, But Worth Reading

Eliza_Gaskell
Elizabeth C. Gaskell

THE SOCRATIC CONCEPT of true knowledge being the ability to now how little one knows and the world’s greatest scientist, Newton comparing all known knowledge to one grain of sand on a beach, equally apply to books: some great books are forgotten and remain almost unknown. Those who are regarded as well-read or voracious readers know that they had read a microscopic fraction of all the good books written – even in one genre. One lifetime is not enough to read all the works (and critical analyses and interpretations) of the books of

Those who are regarded as well-read or voracious readers know that they had read a microscopic fraction of all the good books written – even in one genre. One lifetime is not enough to read all the works (and critical analyses and interpretations) of the books of only Shakespeare in English or of Kalidasa in Sanskrit.

That was, perhaps, how the sarcastic adage that “Classics are books everyone knows about but no one reads” came into being. But, though unread, they are known.

Millions of people go through their entire lives without reading a single book (except class books mugged up to pass exams) and talk derisively of ‘bookish knowledge’ or proud of learning from life as ‘graduates of the school of knocks.’ A few authors are known for one or two of their books but many of their works are lost in history,

American author an philosopher Will Durant is famous for his classic ‘Story of Civilisation’. but how many know of his ‘The Case For India’ a book which moved me so much that I felt the government should have bought millions of copies and distribute them free to anyone who can read English. Another of his books ‘Our Oriental Heritage’ also would have made India proud.

I once toyed with the idea of pirating ‘The Case For India’ and distributing it free to thousands or making it a free e-

e-book.

Some very good books are forgotten and stay unknown, hidden under the dust of history. I (and perhaps most readers) had not heard of Elizabeth Cleghorn Gaskell, a contemporary of the great Charles Dickens in the mid 1800s.I would never have known about her if I was not listening to an audiobook of D.H. Lawrence, found it boring and moved on to readers’ comments. One of them said Gaskell’s ‘Mary Barton’ was much more interesting and I downloaded that audio book.

BesidesMary Barton: A Tale of Manchester Life” she also wrote A Dark Night’s Work, The Grey Woman, The Life of Charlotte Bronte. My Lady Ludlow, Round the Sofa, North and South, Mr Harrison’s Confession, Wived and Daughters, Ruth, Cousin Phillis, Cranford and the Cage at Cranford, The Moorland Cottage, Sylvia’s Lover and The Pastor’s Wife.

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
All these books are available on the free audiobook site, Librivox. I would not have known about the book had I not discovered, due to the fear of impending blindness, sites audiobooks (I subscribe to several such sites) and Librivox, a site which has most books whose copyright had expired, enabling them to be put ‘in public domain’ with the help of volunteers who read them. Librivox also has an e-book version Gute Books for those who can read.
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?
ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada. Is there a single public library in India which has such a facility?

ALL the books by Gaskell have received 4, 4.5 or 5-star (out of 5) ratings from the listeners. Some books are available in more than one version, read by a different persons.

Here is a writer-up on the book, not be by me but by Martin Geeson, on the Librivox site——-..
Mary Barton was Elizabeth Gaskell’s first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 – only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels’s experience as agent in his father’s cotton-spinning factory motivated him to write “The Condition of the Working Class in England”, a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell’s own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to an Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations. In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester’s poorest classes:
“I know nothing of Political Economy, or the theories of trade…” She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment – as evidenced in his own admirable, Lancashire-based novel “Hard Times”. Gaskell lived among the people whose attenuated lives she chronicled – and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a “heartless world”.
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this ‘Tale of Manchester Life’.

Much has been written about India’s poverty and books or films (like Satyajit Ray’s Pather Panchali) which portray it have a big market (and win awards) in the West where the common man still thinks Indians live on trees. But the picture of utter poverty of the working class in 19th century England is startling.

With smart phone usage going up day by day in India, it is time a free audio and electronic book site of Indian books comes into being. On one of the audiobook sites I borrow books from the Toronto Public Library in Canada.